Ernest and Hadley Hemingway at a cafe with Lady Duff Twysden and others
In Woody Allen's new movie "Midnight in Paris," the main character played by Owen Wilson wistfully yearns for a distant past, specifically the Paris of the 1920's when Hemingway, Picasso and the Fitzgeralds were there. He craves the intellectual and artistic excitement that was going in Paris at the time. As a screenwriter, he wants to stretch himself and write a novel. And his impending marriage to a shallow and materialistic American girl has filled him with wanderlust and the desire for a French romance. Obviously all this nostalgia is fueled by his dissatisfaction with his life. But in my opinion nostalgia is not such a bad thing and I decided recently to take a little journey of my own.
After watching Allen's funny and nostalgic film "Midnight in Paris," which has some wonderful scenes that occur in the Paris of the 1920's and feature Hemingway, Scott and Zelda Fitzgerald, Gertrude Stein, and others, I was inspired to pull out a few books on the Lost Generation and revisit this fascinating group of artists.
Woody Allen's "Midnight in Paris" film
The first book I spotted on my bookshelves was "Everybody Was So Young," the book about Gerald and Sara Murphy written in 1998 by Amanda Vail. Fitzgerald said that the Murphys were the inspiration for Dick and Nicole Diver in "Tender is the Night." Many other writers in Fitzgerald's social circle were also inspired to write about the Murphys. The epigram of "Everybody Was So Young" stopped me in my tracks because I realize that this nostalgic sentiment and description of this time in Paris is exactly what Woody Allen was trying to capture and what has always intrigued me about this group of people and our feelings about this period of time in Paris, something ephemeral and evanescent, impossible to recapture as one gets older and maybe did not really even exist. But the important thing is this is how it is remembered.
"It wasn't the parties that made it such a gay time.
There was such affection between everybody. You loved
your friends and wanted to see them every day, and usually
you did see them everyday. It was like a great fair,
and everybody was so young."
Zelda and F. Scott Fitzgerald
Alison Pill and Tom Hiddleston as the Fitzgeralds in "Midnight in Paris"
Photo from the New York Times
Photo from the New York Times
These writers and artists were American expats and European artists living in Paris during the 1920's. There were the chic and glamorous Scott and Zelda Fitzgerald, the legendary Ernest Hemingway, the struggling and groundbreaking artists Picasso and Braque, and the patroness of the arts Gertrude Stein, just to name a few. (By the way, a similar community of artists and writers existed in England with the Bloomsbury Group which included their own patroness of the arts Ottoline Morell) The Paris that they write about is a glowing, incandescent place that evokes all kinds of feelings of nostalgia and affection.
My goal of pulling out several books on The Lost Generation never materialized, as I became obsessed with "We Were All So Young" and could not put it down. Gerald and Sara Murphy were a young, glamorous couple who brought together many of these writers and artists at their home in the South of France. They provided hospitality, glamour, incredible parties, and images and memories that inspired many books, including "Tender is the Night."
In the prologue to "Everybody Was So Young," Amanda Vail writes about the Murphys:
Late in his life their friend Archibald MacLeish tried to put it into words for an interviewer who had asked him what "the special pull of the Murphys" was. "No one has ever been able quite to define it,' MacLeish said -- but he came as close as anyone: "Scott tried in 'Tender is the Night.' Dos tried in more direct terms. Ernest tried by not trying. I wrote a 'Sketch for a Portrait of Madame G.M.,' a longish poem. They escaped us all. There was a shine to life wherever they were: not a decorative added value but a kind of revelation of inherent loveliness as though custom and habit had been wiped away and the thing itself was, for an instant, seen. Don't ask me how."
In so many of the memoirs I have read of writers and artists living in London or Paris at this time, there always seems to be a golden couple like Gerald and Sara Murphy that everyone wants to be with, who have a special talent for bringing people together and have an excitement about life that is contagious. According to Vail's book many of the guests at the Murphy's house in the South of France remember their generosity and supportiveness, a mixture of inspiration and nurturing that gave a magical glow to their famous parties that lived on in the memories of people like the Fitzgeralds and Hemingway.
What I love about all of this -- the Murphys in their heyday, the writers who were inspired to create characters based on them, the parties and the atmosphere they created, and the memoirs and letters which delineate all of this and try to capture this time period and these personalities -- is the passion and interest in life which characterizes it all. It's not so much about being young, though there is a different passion that comes with youth. I think it is just a passion about life and the people that make life sparkle. There is no age limit to this, and I am so grateful to have the memoirs of writers such as Gertrude Stein, Hemingway, Fitzgerald, Virginia Woolf and others to give us a glimpse into these times and to inspire us to live life fully.
As Woody Allen's alter ego played by Owen Wilson in the movie says, nostalgia is an interesting phenomenon. He realizes that the yearning for a time past is often a consequence of ennui and dissatisfaction. But I think reading about this romantic time and place is good for us and revisiting it in a movie such as "Midnight in Paris" makes us wonder about and strive to add a dose of glamour and romance to our own lives. Often just the effort alone makes it happen as we undergo a subtle attitude change and new way of looking at our world. I for one am always being inspired.
Gertrude Stein and her companion Alice B. Toklas
Gertrude Stein painted by Picasso
Gerald and Sara Murphy in the South of France
In the prologue to "Everybody Was So Young," Amanda Vail writes about the Murphys:
Late in his life their friend Archibald MacLeish tried to put it into words for an interviewer who had asked him what "the special pull of the Murphys" was. "No one has ever been able quite to define it,' MacLeish said -- but he came as close as anyone: "Scott tried in 'Tender is the Night.' Dos tried in more direct terms. Ernest tried by not trying. I wrote a 'Sketch for a Portrait of Madame G.M.,' a longish poem. They escaped us all. There was a shine to life wherever they were: not a decorative added value but a kind of revelation of inherent loveliness as though custom and habit had been wiped away and the thing itself was, for an instant, seen. Don't ask me how."
In so many of the memoirs I have read of writers and artists living in London or Paris at this time, there always seems to be a golden couple like Gerald and Sara Murphy that everyone wants to be with, who have a special talent for bringing people together and have an excitement about life that is contagious. According to Vail's book many of the guests at the Murphy's house in the South of France remember their generosity and supportiveness, a mixture of inspiration and nurturing that gave a magical glow to their famous parties that lived on in the memories of people like the Fitzgeralds and Hemingway.
Owen Wilson who travels back in time to the Paris of the 1920's with Marion Cotillard who plays Adriana, a fictional mistress of Picasso's in "Midnight in Paris"
Photo from the New York Times
What I love about all of this -- the Murphys in their heyday, the writers who were inspired to create characters based on them, the parties and the atmosphere they created, and the memoirs and letters which delineate all of this and try to capture this time period and these personalities -- is the passion and interest in life which characterizes it all. It's not so much about being young, though there is a different passion that comes with youth. I think it is just a passion about life and the people that make life sparkle. There is no age limit to this, and I am so grateful to have the memoirs of writers such as Gertrude Stein, Hemingway, Fitzgerald, Virginia Woolf and others to give us a glimpse into these times and to inspire us to live life fully.
Some of the writers and artist associated with the Bloomsbury Group in England including Virginia and Leonard Woolf and Vanessa and Clive Bell
Some of the younger generation of artists and writers associated with The Bloomsbury Group
As Woody Allen's alter ego played by Owen Wilson in the movie says, nostalgia is an interesting phenomenon. He realizes that the yearning for a time past is often a consequence of ennui and dissatisfaction. But I think reading about this romantic time and place is good for us and revisiting it in a movie such as "Midnight in Paris" makes us wonder about and strive to add a dose of glamour and romance to our own lives. Often just the effort alone makes it happen as we undergo a subtle attitude change and new way of looking at our world. I for one am always being inspired.
